Crisis and breakthrough: Exploring the path to revitalize the Zhuang Ethnic’s Molan culture from the perspective of communication

Yuyin Lin, Ratanachote Thienmongkol, Aolin Xiang

Article ID: 9863
Vol 8, Issue 16, 2024

VIEWS - 480 (Abstract)

Abstract


Molan, an intangible cultural heritage of the Zhuang nationality in China, faces a crisis due to traditional communication and inheritance models. In the digital era, leveraging advanced digital technology is crucial for revitalizing this ancient heritage. From a communication theory perspective, this paper uses field investigation and applies the classic 5W communication model by Lasswell to deeply analyze the crisis facing Molan culture. Integrating the media evolution theory of Levinson, it explores the benefits and methodologies of digital dissemination for ancient intangible cultural heritage and proposes a digital communication model. The paper emphasizes adopting the PGC (Professional Generated Content) + UGC (User Generated Content) production model and strictly adhering to the “Content is King” principle. It advocates for models such as “Social Media + Molan,” “Short Video + Molan,” and “Algorithm + Molan” to enhance communication effectiveness. These viewpoints aim to revitalize and preserve Molan culture in the digital age.


Keywords


intangible heritage; Molan; digital communication; new media

Full Text:

PDF


References

  1. “Fingertip stunts” were watched by TikTok netizens: short video platforms bring more than just traffic to intangible cultural heritage. https://cul.sohu.com/a/556175164_391398
  2. Dai Zhiqiang. 2014. Big Data in Film and Television: The Fundamentals of Interactive Experience and Quantitative Cognition in Film and Television. Modern Communication. No. 9, 2014
  3. Edited by the Office of the Central Cyber Security and Informatization Committee of the Communist Party of China. 2019. Algorithms: fully integrated into the regulatory field. May 21,2019
  4. Harold Lasswell, 1948. The Structure and Function of Communication in Society. translated by Xie Jinwen, in Classical Texts of Communication in the 20th Century. edited by Zhang Guoliang, Fudan University Press, 2003
  5. Liu Yuwei. 2019. When Intangible Cultural Heritage Meets Short Videos, Sleeping Traditional Culture Is Awakened.Lizhi.com http://news.jstv.com/a/20190416/c1d7fbdc7b71468f885e4d771840adcf.shtml
  6. Paul Levinson. 2003. Replay of Human History: The Theory of Media Evolution, translated by Wu Jianzhong, Southwest Normal University Press, 2003 edition
  7. Ran Xiaoning, 2022.TikTok helps intangible cultural heritage gain popularity overseas. https://cj.sina.com.cn/articles/view/2810373291/a782e4ab02002dig5
  8. Sohu Entertainment News. 2014. International performance production management master class opens, experts and scholars gather in China Opera. https://yule.sohu.com/20140919/n404465397.shtml
  9. Yuan Li and Gu Jun. 2017. Three Standards for Scientific Evaluation of Intangible Cultural Heritage Protection. Journal of Original Ecological Ethnic Culture. September (1),2017,137-139
  10. Zhao Shouxiang, Tang Huxin and Xiong Haitao. 2015.Big Data Analysis and Application. Aviation Industry Press, December 2015
  11. Zhou Runjian. 2019. Douyin “Intangible Heritage Partner” plan is launched, 50 inheritors are recruited nationwide. Xinhuanet http://www.tj.xinhuanet.com/jz/2019-04/18/c_1124382876.htm


DOI: https://doi.org/10.24294/jipd9863

Refbacks

  • There are currently no refbacks.


Copyright (c) 2024 Yuyin Lin, Ratanachote Thienmongkol, Aolin Xiang

License URL: https://creativecommons.org/licenses/by/4.0/

This site is licensed under a Creative Commons Attribution 4.0 International License.