The Aesthetic Experience of Chinese Calligraphy in Movies and the Audience’s Emotional Response
Vol 7, Issue 6, 2024
VIEWS - 58 (Abstract)
Abstract
Keywords
Full Text:
PDFReferences
1. [1] Gu Yi. Lin Yutang’s translation of the theory of traditional Chinese calligraphy [J]. Chinese Translation, 2009,30 (02): 53-57 + 95.
2. [2] Li Yujin. The cultural connotation of Chinese calligraphy and the conception of external communication [J]. Communication and Copyright, 2016 (09): 118-120.
3. [3] Wang Yisai. Exploration of the international Communication Path of Chinese calligraphy under the perspective of empathic communication [J]. News lovers, 2023 (09): 78-80.
4. [4] Li X ,Shan J . Art Nourishes the Design-the Application of Chinese Calligraphy Art in the Modern Logo Design[C]//Institute of Management Science and Industrial Engineering.Proceedings of 2019 9th International Conference on Social Science and Education Research(SSER 2019).Francis Academic Press,2019:4.
5. [5] Wang W ,Huang J .Research on the Cultural Inheritance and Aesthetic Value of Chinese Calligraphy and Painting[C]//International
6. Science and Culture Center for Academic Contacts (Moscow, Russia).Proceedings of The 4th International Conference on Education Studies:
7. Experience and Innovation (ICESEI 2023).Academy of Arts and Design, Tsinghua University;,2023:5.
8. [6] Zhu Y . The Infinite Possibility of “Chinese Characters” in calligraphy——On the Boundary of “Modern Calligraphy”[C]//Institute of Management Science and Industrial Engineering.Proceedings of 2019 9th International Conference on Social Science and Education Research(SSER 2019). Francis Academic Press,2019:4.
DOI: https://doi.org/10.18686/ijmss.v7i6.7383
Refbacks
- There are currently no refbacks.
This site is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.