Reconstructing Female Identity and Liberation: An Existentialist Feminist Analysis of the Contemporary Film “Sister”
Article ID: 5040
Vol 7, Issue 3, 2024
Vol 7, Issue 3, 2024
VIEWS - 22 (Abstract) 29 (PDF)
Abstract
The contemporary Chinese feminist film “Sister” vividly reflects the current state of women’s existence, revealing the plight of
“the Other” in a patriarchal society, both within the family and society, promoting the awakening of women in real life. This paper, from the
perspective of Simone de Beauvoir’s existentialist feminism, proposes an existential feminist analysis of women’s existence in a patriarchal
society.
“the Other” in a patriarchal society, both within the family and society, promoting the awakening of women in real life. This paper, from the
perspective of Simone de Beauvoir’s existentialist feminism, proposes an existential feminist analysis of women’s existence in a patriarchal
society.
Keywords
Patriarchy; Existentialist Feminism; The Other
Full Text:
PDFReferences
1. [1] Beauvoir, S. de. The Second Sex. Trans. Tao Tiezhu. Beijing: China Books Publishing House, 1998:23.
2. [2] Scholz, S. Beauvoir. Trans. Gong Xiaojing. Beijing: Zhonghua Book Company, 2014:118.
3. [3] Lin, S. Feminist Literary Criticism in a Multidimensional Perspective. Beijing: China Social Sciences Press, 2004:336.
DOI: https://doi.org/10.18686/ijmss.v7i3.5040
Refbacks
- There are currently no refbacks.
This site is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.