Managing Africa’s cultural institutions for global impact and sustainable development
Vol 8, Issue 4, 2024
VIEWS - 322 (Abstract) 270 (PDF)
Abstract
Africa has an extensive and varied cultural history that includes works of art, music, literature, customs, and historical locations. These cultural resources are essential for creating identities, promoting social cohesiveness, and advancing economic development. However, for these institutions to have the greatest impact on the world and contribute to sustainable development, they must be managed and engaged effectively. Exploring the management of cultural institutions in Africa and their potential for global impact and sustainable development is the goal of this research study. The study relies on the extensive review of available literature, case studies, and in-depth interviews with key informants, and data obtained, subjected to content and thematic analyses. It aims to uncover flexible management techniques that can improve the global reach and sustainable development of African cultural institutions by examining successful models and cutting-edge approaches. The results of this study will help those responsible for administering Africa’s cultural institutions to formulate practical guidelines and policy recommendations. Africa can further establish its cultural identity, advance cultural diplomacy, and utilize its cultural capital to propel social and economic advancement by utilizing the potential of these institutions for global impact and sustainable development.
Keywords
Full Text:
PDFReferences
Africa, Z. M. (n.d.). Available online: https://zeitzmocaa.museum/about/ (accessed on 21 April 2023).
Anyanwu, J. C. (2016). The Role of Cultural Institutions in Socio-economic Development of Africa. Journal of Cultural Heritage Management and Sustainable Development, 6(2), 151–168.
Archer, D. J. (2017). The Sustainable Museum: The Necessity of Sustainable Business Models for Museums. Th.e Journal of Environmental Sustainability, 6(2), 1–23.
Barker, E. (2019). Leadership and Management in Museums: A Theory of Craft, Practice and Cultural Heritage Management. Museum Management and Curatorship, 34(2), 108–125. https://doi.org/10.1080/09647775.2018.1498298
Boram, J. J. (2014). Creative Innovation in Museums: Strategic Management Models for Cultural Heritage Institutions. Museum Management and Curatorship, 29(1), 5–27.
Centre, U. N. C. (n.d.). No Title. Available online: https//www. Uganda National Cultural Centre (uncc.co.ug) (accessed on 21 April 2023).
Conley, C., & Fisher, P. (2018). Artifacts and Allegiances: How Museums Put the Nation and the World on Display. University of California Press.
Dabashi, H. (2006). Post-Orientalism: Knowledge and Power in Time of Terror. Transaction Publishers.
Darwent, C. (2017). Cape Town’s Zeitz MOCAA: “Africa aims to use its culture to galvanize its self-belief.” Available online: https://www.theguardian.com/artanddesign/2017/sep/21/zeitz-mocaa-cape-town-africa-art-gallery (accessed on 21 April 2023).
DiMaggio, P. J., & Powell, W. W. (1983). “The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields.” American Sociological Review, 48(2), 147–160.
Ekundayo, O., Ogwueleka, F. N., & Ajayi, M. (2016). Challenges and Prospects of African Cultural Heritage in the Age of New Media. Journal of Cultural Heritage Management and Sustainable Development, 6(4), 427–442.
Eze, C. O. (2020). Mediating artistic identities in Ghana through the Nubuke Foundation’s visual arts exhibitions. International Journal of Art & Design Education, 39(2), 426–436.
Falk, J. H., & Dierking, L. D. (2013). The Museum Experience Revisited.
Foundation, N. (n.d.). No Title. Available online: www. Nubuke Foundation (accessed on 2 June 2023).
Gikandi, S. (2018). African Literature: An Overview. The Journal of Postcolonial Writing, 54(2), 135–147.
Gupta, T. (2010). Writing the Nation: Self and Country in the Post-Colonial Imagination. Routledge.
Holtorf, C. (2018). Cultural Heritage Management: A Global Perspective. Routledge.
Jones, M., & Holden, A. (2008). “Eco-cultural Tourism and Sustainable Development in the Swedish Mountain Range.” International Journal of Sustainable Development & World Ecology, 15(3), 233–244.
Kaplan, C., & Kaplan, S. (2020). Cultural Heritage and Conflict in Africa. History Compass, 18(5).
Kenya, N. T. (n.d.). Available online: https://nationaltheatrekenya.co.ke/ (accessed on 2 June 2023).
Landorf, C., & Silver, D. (2014). “Planning for Community-Based Heritage Tourism: A Case Study from Western Australia.” Sustainability, 6(8), 5034–5053.
Makkan, D. M., & Kamanzi, K. S. (2020). Africa’s Museum Culture: Colonial, Maligned and Now not Seeing. Journal of Cultural Studies, 18(4), 355–370.
Mao, Y., & Guo, J. (2019). Cultural resources exploitation and sustainable development in ethnic areas: An empirical study. Journal of Cleaner Production, 228, 1446–1456.
Mason, R., & Minnaar, A. (2018). Cultural Tourism and the Postmodern Museum in Sub-Saharan Africa. Journal of Sustainable Tourism2018, 26(12), 2042–2060.
Mbembe, A. (2017). Critique of Black Reason. Duke University Press.
Mbembe, A., & Roitman, J. (2015). Specters of Liberation: Great Refusals in the New World Order. Wits University Press.
McLean, F. (2013). Profit and Non-Profit Cultural Organizations: A Comparative Analysis.
Mudenda, V., Nakamba-Nsimbi, C., & Nhliziyo, M. (2021). Heritage for All? Assessing Institutional Interventions in Heritage Spaces. South African Journal of Libraries and Information Science, 87(1), 14–26.
Mudimbe, V. Y. (1988). The Invention of Africa: Gnosis, Philosophy, and the Order of Knowledge. Indiana University Press.
Mureikiene, V., Bieńko, A., & Hepworth, L. (2019). Challenges Facing the Cultural and Creative Sectors: The African Perspective. The African Perspective. European Journal of Sustainable Development, 8(2), 112–121.
Nurhayati, & Wulandari, C. (2019). The role of cultural management in achieving sustainable development goals (SDGs) in the creative economy. Humanities & Social Sciences Reviews, 7(3), 660–668.
Nyeck, S. N., Adeola, R., & Mburu, C. (2019). Capacity Development for Museums and Cultural Heritage in Africa: Case Study of SCAD, Central Africa. The Ethiopian Journal of Higher Education, 11(2), 93–108.
O’Neill, M., Wilson, S. (2018). Curating Across Disciplines: Perspectives on Collaboration from Art, Science, Museums, and Schools. Manchester University Press.
Richards, G. (2020). Tourism and Culture: An Applied Perspective. Channel View Publications.
Richards, G., & Munsters, W. (2010). Cultural Tourism as a Community Development Tool. In: Richards, G., Munsters, W. (editors). Cultural Tourism Research Methods. Channel View Publications. pp. 3–14.
Sandell, R. (2018). Museums, Equality and Social Justice. NY: Routledge.
Sarsingh, M. (2019). Between Heritage Preservation and Tourism Development: A Case Study of the Zanzibar Stone Town Heritage Society. Urban Island Studies, 2(2), 43–60.
Sleptsova, M., & Asher, K. (2017). Cultural policy and sustainable development in the Russian regions. Asia Pacific Journal of Arts.
Smith, R. J. (2014). The Museum Effect: How Museums, Libraries, and Cultural Institutions Educate and Civilize Society. Rowman & Littlefield.
Society, Z. S. T. H. (n.d.). Available online: https://stonetownheritagesociety.wordpress.com/about/ (accessed on 15 June 2023).
Steward, J. (1955). Theory of Culture Change: The Methodology of Multilinear Evolution. University of Illinois Press.
Tisné, A. (2017). Financing Culture in Africa: Setting the Stage for Sustainable Development. World Bank.
UNESCO. (2013). Creative Economy Report 2013: Widening Local Development Pathways.
Watson, S. (2018). The Museum Experience Design. Bloomsbury Publishing.
DOI: https://doi.org/10.24294/jipd.v8i4.3168
Refbacks
- There are currently no refbacks.
Copyright (c) 2024 Stanley Timeyin Ohenhen, Uche Nnawulezi, Princewill Chukwuma Abakporo, Olayinka Adenikiju, Shalom Ibironke, Mary-Ann Ajayi, Kolawole Olawale, Ooreofe-kristi Faniyi
License URL: https://creativecommons.org/licenses/by/4.0/
This site is licensed under a Creative Commons Attribution 4.0 International License.